Tag Archives: Vincent Van Gogh

CHAPTERHOUSE: DUNE – Frank Herbert (1985)

This is the 6th & final post in a series on my reread of the Dune books. It became yet another lengthy text of about 10,700 words. I’ve also written long analyses of Dune, Dune Messiah, Children of Dune, God Emperor of Dune and Heretics of Dune.

My text on Dune itself focuses on the issue of Paul as a tragic hero, without free will, and has some notes on the book as a literary construction. The one on Messiah compares it with the first book, and also looks at its relationship to the concept of eternal recurrence – a strong Nietzschean undercurrent that ties into Paul not being an Übermensch – and at the relationship between prescience and the absence of free will. The article on Children is over 10,000 words long and deals with the tragedy of Alia, change as a key concept in the series, a Nietzschean morality beyond good & evil, and Amor Fati, among other things. My text on God Emperor is nearly 9,000 words and examines Leto as the most tragic character of the series & the conceptual knot. It also examines the nature of the supposed cautionary tale Herbert meant to write, and the introduction of non-mechanical world building in the series – contrasting with its prior central theme of the absence of free will. There’s also bits on the mechanics of no-room shielded prescience, the Golden Path, change & creativity, and various inconsistencies in the novel. I’ve written 11,600 words on Heretics, among other things, the text looks at Herbert’s narrative bluff, and examines the Bene Gesserit’s motivations. It also discusses love, heresy and variation as themes in the novel, and looks at how the book’s characters are permutations of those in Dune. I try to explain why I liked this book best of the sequels so far, even with all its shortcomings. It ends with a section on a major shift in the series, as in Heretics, under the influence of Einstein and quantum theory, Herbert casts prescience not as something passive, but as an active, shaping force. This sea change alters the ontology underlying the series drastically. I also look at an underlying principle Herbert uses: perception shaping reality.

I’ve tried to keep overlap between this final text and the previous ones to a minimum, so if you’re interested in a deep desert dive, please read those first.

Chapterhouse Dune Frank Herbert (Schoenherr)“Truth is an empty cup.”

People change. 10 years ago I read the Dune series for the first time, and it became my favorite series ever. In 2019 I started my reread of the series, and now I’ve finally come to the end of that project, finishing Chapterhouse: Dune, the 6th book. 10 years ago, I thought Chapterhouse was the pinnacle of the series – today, I think it is its nadir, and I would not call the series as a whole a favorite anymore.

In what follows, I will first try to explain why I think Chapterhouse: Dune is the weakest of the bunch. The bulk of this post will be an analysis of the book’s main themes, and their relation to the previous books.

For starters an examination of the Bene Gesserit. The main question I still had after reading Heretics was about their intentions, and I’ll check how Odrade’s emotions play out in Chapterhouse as well. I’ll also look into the question of free will again – the main issue of the first Dune. I’ve written shorter sections on change & creativity – change being the series overall constant, on Nietzschean morality – yet another recurring theme, on the obscure & conflicted nature of Mentats and, finally, on Herbert’s obsession with bureaucracy, something that popped up in Heretics already.

Before I wrote my actual analysis, I lined up 85 quotes with a total of 5500 words. Not all of those made the cut, but the text is quote heavy nonetheless. If you don’t want to read quotes, just skip them: in most cases, you should be able to follow my reasonings without them.

I’ll end with a short assessment of the series in general.

Continue reading


Van Gogh cover

Just to be clear: generally speaking, this book is amazing: it collects all his surviving paintings (871!), in overall good quality reproductions. It also has an extensive biographical text, zooming in on all of Van Gogh’s life phases. While the first edition is already 30 years old, powerhouse Taschen has put out a new, shiny edition that’s easily available, and under 30 euros… Really! Best bargain ever!!

If you are interested in Van Gogh, you might be interested in the things that struck me most while reading – I list those at the end of this review.
First, I want to address some minor issues for those that might be interested in buying this book, although I have to say, given the price, none of those should even stop you to consider getting out your wallet.

Continue reading


A couple of months ago I moved the bulk of my art book collection to another room. I decided to keep a small part, favorites, on my regular shelves. I’ve written a bit on each of those 20 titles below – 20 being just a coincidence by the way.

It is very much intended as a book list, not a list of favorite artists, as that would include a lot more names. The titles are mainly from established contemporary artists, with just three older painters – three big ones, yes.

Click on the covers to be taken to the publisher’s website or some other resource – with more extensive text on the book and the artist.

I’ve included images of artworks too: click those to enlarge.

Here’s an index of all my other art book reviews, most of which are not included in this list.

KADER ATTIA – The Repair from Occident to Extra-Occidental Cultures
Greenbox, 2014, 176 pages

Kader Attia cover

In 2012, my visit to dOCUMENTA (13) would have been a bit of a disappointment if it weren’t for two artists. One of those is Kader Attia. His installation The Repair From Occident to Extra-Occidental Cultures was jaw dropping, the highlight being slides showing repaired African statues and the likes next to the mended faces of mutilated soldiers from the First World War. The book has all slides, and more. A beautiful edition, full of the uncanny.

Kader Attia work Continue reading