THE PRICE OF SPRING – Daniel Abraham (2009)

When I ended this book – and with it the series – my cheeks were moist with tears, and my lips formed a broad smile. It is one of the faces of happiness I take most delight in, and it is rare. The series as a whole is among the best things I’ve ever read.

The Price Of Spring takes off slowly, and feels a bit like an afterthought to the impressive ending of the third book at first. But after about 100 pages, it picks up speed and becomes a page turner too. More importantly, the true magnitude of Abraham’s power as an author becomes clear. The series is stunningly well conceived, and the full weight of plot lines started in A Shadow in Summer start to reveal itself. There are no loose ends and it turns out that nothing in the books is superfluous. Yet, it doesn’t feel forced at all. One of the main qualities of this series is that it feels so natural and so balanced that one forgets one is reading something artificial, a construct by an author. This goes for the plot, and it goes for the prose too. Both the language and the deeply moving story about humanity this giant set of words convey, couldn’t resonate more with the reality of life and the order of things.

The series spans the life of Otah Machi, and as such has it all: the energy, hope and folly of youth, the contemplation, regret and peace of old age, and everything in between. It is very much a story about human characters, and not about gods or immortal mages. It is deeply moving, and yet as exciting as any other great adventure tale set in a fantastical world. Its canvas is big enough, so that the story about friendship and family is not a mere miniature, but something fleshed out, given depth and perspective by the politics and history around it. If it takes a village to raise a child, it takes nations to bring great characters truly to life.

For me, the greatest quality of The Long Price Quartet is that is has no pretension whatsoever. It does not try to show off, nor tries to preach. It is not heavy handed, nor overshadowed by something other than itself. And while magicians are called poets in the books, it is not meta literature. The messages it conveys are old, simple and humble ones. It doesn’t need some showy narrative device, it doesn’t try to be different or new, it’s not centered around some gimmick or one neat idea. The books of the Long Price are about love and life. Please, give them a try.

Nowadays the last 2 books of the Long Price Quartet are only available in one tome, entitled Seasons Of War.

originally written on the 3rd of May, 2015

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AN AUTUMN WAR – Daniel Abraham (2008)

The third in the series, one of the better books I’ve ever read, and probably the best of the series so far. Surprising, emotional, compassionate, deep, character driven, moving, and utterly original. As the title suggests, this time the focus is on war, and as such it is again a totally different book than the previous two, again with a story that concludes itself nicely in this volume itself.

And again, Abraham’s prose is gorgeous: so clear and seemingly easy, yet gems of beautiful images and razor-sharp observations are spread throughout.

Don’t dwell on it, go read it. Of course, start with book one of the quartet, A Shadow In Summer.

originally written on the 2nd of April, 2015

A BETRAYAL IN WINTER – Daniel Abraham (2007)

A Betrayal in Winter is the second book of the Long Price Quartet. For once this is a book of which the raving back cover blurbs are all true.

“There is much to love in the Long Price Quartet. It’s epic in scope, but character-centered. The setting is unique yet utterly believable. The storytelling is smooth, careful, and – best of all – unpredictable.” (Patrick Rothfuss)

“To call Daniel Abraham an exciting new author is to wildly understate the case. His entire Long Price Quartet is utterly original and incredibly seductive”. (Connie Willis)

“A Betrayal in Winter is exactly the kind of book I love: dynamic characters, sharp plotting, and an original, thoughtful take on magic. Abraham knows what he’s doing.” (Brandon Sanderson)

…all that, and the fact that this book is at times highly emotional too. It’s also a more important story about gender than Ancillary Justice or The Left Hand of Darkness, as it doesn’t have any easy surface gender story signifiers – on the contrary, it feels like a classic Shakespearian tale of intrigue, love, family and power.

Like the first book, this also comes to an elegant finish of its own. If you haven’t, read A Shadow In Summer first. I’m pretty sure you’ll feel compelled to read the entire Long Price Quartet.

originally written on the 11th of March, 2015

A SHADOW IN SUMMER – Daniel Abraham (2006)

From the first pages on, you know this book is going to be something extraordinary: it grips you, and both the world and the characters are convincing, from the moment they are put to the page. It is fantasy, but it is very much its own thing, and escapes Tolkien’s heritage seemingly effortlessly.

Original and poetic, emotional and thrilling – and yet it doesn’t feature any high fantasy action, magic fireballs, enchanted swords or shrieking dragons. Still, the magic is of the best I’ve come across, and even without a lot of violence the book is a page turner.

It’s an exciting story, yet the writing is restrained: Abraham could have taken the ideas behind the magic and showed off, choosing the spectacular path of letting the andat do all kind of neat tricks. Yet he doesn’t. He only lets the reader in on what’s needed for the story.

Although this is ‘but’ a debut, it feels like a very balanced and mature book of someone who has been writing lengthy stories forever. There is no filler here, there is no side plot put in for cheap entertaining effect, no clichéd character for the reader to hang on to. Abraham shows wisdom about the human condition throughout the book, and chooses beautiful images and phrases more than occasionally. This book isn’t a lucky shot or a one-off thing. It breathes finesse.

A Shadow in Summer is the first in a series of 4, but it is a story that can stand alone. At the end of the 331 pages, it comes to its own conclusion. There are no cliffhangers, and yet I can’t wait to read A Betrayal in Winter.

I’m surprised this doesn’t get mentioned more often in lists or recommendations. I could go on and on about it, but the prologue of the book will do its own bidding. Get it. Read it. Spread the word.

Nowadays, it is only available in Shadow and Betrayal, a single volume combining the first two books of the Long Price.

originally written on the 21st of February, 2015