Normally I read more than 15 other books between installments of a series, but as I was so hooked by Too Like the Lightning, Ada Palmer’s debut, I decided to read book 2 of Terra Ignota quickly.
Seven Surrenders is not a stand alone novel, and this review isn’t stand alone either. If you haven’t, please read my review of Lightning first – in which I try to explain why that book nearly flabbergasted me.
To cut to the chase: this review will be less raving. While I loved the bulk of Seven Surrenders, a few problems did arise, and taken as a whole – the two novels are one story playing out over a few days only – I can’t give it the full 5 stars. Some of that will be nitpicking. All things considered, it still is a strong 4.5 star read – not a mean feat by any measure.
It is only in Seven Surrenders Palmer shows her true hand: while there were hints of it in Too Like the Lightning, this part makes it fully clear this series is an over the top, theatrical series, heavily influenced by the pulp side of Japanese anime. Not that Palmer writes only for effect and show: she also wants to articulate serious thoughts. And even though she manages to do that, those thoughts also form the heel at which this kind of reader will aim his arrow.
More on that in a minute. Let me be loud and clear first: together, the first half of Terra Ignota – there are 4 books in total – is audacious, daring, dazzling, intricate, high octane, entertaining, dense, a bit pompous, at times soapy & melodramatic, original, fresh. A full on recommendation for anybody in for challenging science fiction. I’m pretty sure I’ll enjoy the two remaining books, but as Palmer walks a tightrope, we’ll see. For those who were still on the fence after reading Too Like the Lightning, if that didn’t grab you, Seven Surrenders will not change your mind: don’t even bother, I’d say.
So, taking stock, Too Like the Lightning remains a favorite book. As a series though, based on my reading of Seven Surrenders, I doubt it will eventually match The Book of the New Sun or Anathem as an intellectual achievement of speculative wonder. That’s because there’s also something more fundamental to be said than nitpicking. The biggest problems I experienced have to do with some of the philosophy underlying the books. To explain that I will need to spoil certain parts – including spoilers for Lightning.
It might seem strange for a book I thoroughly enjoyed, but the rest of this review will generally be critical – as I said, check the first review for the laudatory part, all of it still stands, even with the caveats I’ll voice after the jump.
For those readers that turn to this blog for critical analysis, this is were I start my dissection of Terra Ignota. Obviously some of this criticism might change after I read book 3 & 4, but as I also draw a lot from interviews, I’m pretty confident the bulk of what I’ll say will also apply to the full series. And even if certain things will change significantly in the remainder of the series, I hope in that case my analysis will remain interesting to map how certain themes progress throughout the series.
I want to warn you: I’ve written 8600 words. You may not want to read it all, so I’ve provided sections with a heading. Amongst other things, I will discuss the series’ metaphysics – tied with Mycroft’s status as a narrator, its seemingly essentialist outlook, the embedded case study of utilitarian ethics, the nature of J.E.D.D., the question whether this utopia could devolve into war, a gender issue and the books’ politics, intrigues and world building.