Tag Archives: Science Fiction

PROVENANCE – Ann Leckie (2017)

provenance-20I enjoyed reading Provenance, but after I put it down the question whether this really was a good book quickly took my enjoyment hostage. As entertainment it works just fine: others have called it a comedy of manners, and Leckie has a distinctive, somewhat detached style which helps her create awkward social atmospheres seemingly effortlessly. The pacing is okay, the prose too, and enough stuff happens to keep the reader’s interest fresh. It needs repeating: all that is no mean feat, and Provenance is definitely not a bad book.

A small part of the novel’s charm deals with the strangeness of aliens – but ultimately it’s just the same old trick as in Frank Herbert’s Whipping Star: having aliens speak garbled English. I wrote ‘small’ part, because I wanted more. Provenance is set in the same universe as Leckie’s famous debut trilogy, but those of you craving more of the Rrrrrr or something like that hilarious & menacing Presger translator will be disappointed. In fact, the character of the Geck ambassador more or less repeats Leckie’s trick from Ancillary Mercy – yet without anything coming close to the genius of the fish sauce.

Provenance is the Imperial Radch trilogy light. Those books are about characters and pack quite some emotions – although it might not show at first, and Leckie takes her time to develop, all the way up to book 3. This is a standalone story of 438 pages, and the main character simply isn’t as interesting, her adventures not as compelling. In fact, the ending is so, so predictable I wonder if it’s a joke on Leckie’s part. Joke or not, it doesn’t make for literature that sticks, as the narrative arc ends with a fizzle, and the same goes for whatever emotional build up there might have been. Continue reading

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GYPSY – Plus… – Carter Scholz (2015)

GypsyKim Stanley Robinson fans beware: Carter Scholz is a buddy of his, they go hiking in the Sierras together. It shows, both on the cover of this little gem, and in the content itself.

Gypsy Plus… is a 146 page booklet in the PM Press Outspoken Authors series. Its main attraction is the novella Gypsy (97 pages), plus 2 shorter stories (The Nine Billion Names Of God, 10 pages, from 1984 – not the same as the Clarke title by the way, and Bad Pennies, 8 pp., 2009), a political essay on contemporary US politics (The United States Of Impunity, 14 pp.) and a 12-page interview with the author.

Gypsy is hard SF about a team of 21st century scientists who crowd-source a secret starship and abandon a doomed Earth for the Alpha Centauri system. Scholz says an interesting thing in the interview:

I’ve never seen an SF story take full stock on how hard, maybe impossible interstellar travel is going to be. Gypsy is my attempt to do it “with the net up” as the “hard SF” writers say. Even in the most rigorous hard SF, you always reach the hand-wave moment where the net drops to permit some bit of story development. I wanted to play it straight and let the story come out of the constraints of the physics. Continue reading

LUNA: WOLF MOON – Ian McDonald (2017)

Luna Wolf MoonLuna: New Moon was one of my best reads of 2015 – a Shakespearian feud set on a near future moon that felt both fresh & glossy, and harsh & sprawling. If you haven’t read it, go check it out.

At the time we were led to believe it to be the first of a duology, but it turns out McDonald decided to write a trilogy after all.

I’m not sure that decision paid off. It’ll probably pay off in terms of total copies sold, but artistically, Luna: Wolf Moon has some problems. Not that you shouldn’t read it. If you liked New Moon, you’ll enjoy Wolf Moon too. But while overall solid & fun, it simply isn’t an as good a book. Not even close.

Writing trilogies is tricky, especially if they are one story, multiple volumes. I feel, ideally, every volume should have its own voice, or, at least, should bring something new to the table. Otherwise, the decision to go for multiple volumes published some months or years apart is only motivated by practicalities and commercial interests, not by artistic considerations.

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BEYOND APOLLO – Barry Malzberg (1972)

beyond apolloBarry N. Malzberg’s most famous work, Beyond Apollo, has an air of controversy to it. When it won the first ever John W. Campbell award in 1973, some considered it an insult to Campbell, as Beyond Apollo lacks the positivity and wonder associated with Campbell’s strain of space exploring SF. It also features a huge amount of sex, a protagonist with mental health issues and a plot that is unresolved.

All that still is enough for some contemporary Goodreads reviewers to express their disgust with all the “mechanical sex, misogyny and closet-homosexuality”. They simply pan the novel as just random “nonsense”, “bizarre” and probably fueled by “LSD”.

Nothing could be further from the truth.

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THE RISE AND FALL OF D.O.D.O. – Neal Stephenson & Nicole Galland (2017)

The Rise And Fall Of D.O.D.O.Neal Stephenson wrote one of my favorite books: Anathem. His last book, Seveneves, was one of my favorite reads of 2015. So I looked forward to this new tome – 752 pages – especially since the blurb seemed to promise good old-fashioned fun.

Yes indeed, fun! Anathem & Seveneves are dense, serious books, but The Rise And Fall Of D.O.D.O. has the aura of a Dan Brown book: the discovery of old documents, secret government agencies, the past that turns out to be different from the official narrative, betrayal, mystery, magic.

Could it be that Stephenson again tapped into that youthful enthusiasm that characterized his brilliant sophomore effort Snow Crash and the outrageously bonkers The Diamond Age – a book that’s probably a bit too self-aware for its own good.

And what to think of the addition of Nicole Galland – with whom Stephenson (and a bunch of others) co-wrote The Mongoliad trilogy, and who primarily writes historical fiction? The dust jacket has this on their labor division:

Written with the genius, complexity, and innovation that characterize all of Neal Stephenson’s work and steeped with the down-to-earth warmth and humor of Nicole Galland’s storytelling style, this exciting and vividly realized work of science fiction will make you believe in the impossible, and take you to places—and times—beyond imagining.

Yet the colophon places the copyright solely with Neal Stephenson, who “asserts the moral right to be identified as the author of this work”.

I’m guessing the main idea came from Stephenson, and he wrote the bulk of the book, with Galland acting as editor / beta-reader deluxe to keep things “warm” and the sentences light. Why? To make sure Stephenson’s latter-day heavy-handedness doesn’t get in the way of revenue. This is clearly a commercial release, aimed at a big audience. Both covers show this: the secret file, the comical dodo, the military stamp lettering, the cheesy slogan – “Think you know how the world works? Think again.”

That’s not necessarily a negative. Summer’s here, and to start the season I was up for escapist beach reading: a few thrills, a bit of alternate history, some cool technology and lots of adventure.

Did I get that?

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THE DOSADI EXPERIMENT – Frank Herbert (1977)

The Dosadi ExperimentOkay, I urgently need to reread the entire Dune saga. In my mind Dune is the best series I’ve ever read, and the two final books (Heretics and Chapterhouse) are the best of the series – contrary to a popular opinion the series became bad after Children Of Dune. The thing is I’ve read those books at the onset of my adult rediscovery of speculative fiction, and my mileage wasn’t high at the time: maybe I was too easily awed?

Popular opinion also has it Frank Herbert didn’t write much else that’s good. Both Whipping Star and The Santaroga Barrier proved to be utter pulp indeed. Yet The Dosadi Experiment is supposed to be one of the few books still worth reading.

The Dosadi Experiment is set in the same universe as Whipping Star, but it’s a very different book: it doesn’t feel as absurd & cartoonish. It’s not really a sequel either, so you can read them independently. As usual, Val’s Random Comments does a great job summarizing the basic premise of the novel, so I won’t dwell on that too long: basically Dosadi is a planet with extreme living conditions on which some conspiracy secretly put inhabitants to see what such conditions would do to their society, in order to gain insight in politics and power systems.

That gets me to the million dollar question already: yay or nay? Continue reading

SIRIUS – Olaf Stapledon (1944)

SiriusI wrote a 10-page analysis of Last And First Men, Stapledon’s 1930 cult fiction debut. I wasn’t fully convinced by it, but I understood its historical relevance. I didn’t really plan to read another Stapledon title, but I came across Sirius in a second-hand store for 5 euros, and both the cover and the subject appealed to me, so I took my chances.

No 10-page review this time – I’ll try to make it snappy. Unlike Stapledon, who manages to make a mere 188-page novel drag and drag and drag. Not that he doesn’t set a bar for himself – the narrator of the book calls himself a “novelist” trying to “penetrate” into the “essential spirit”.

After all, though a Civil Servant (until the Air Force absorbed me) I am also a novelist; and I am convinced that with imagination and self-criticism one can often penetrate into the essential spirit of events even when the data are superficial.

That “essential spirit” is a bit of a recurring theme. Sirius, the dog with a human intelligence that is our protagonist, likes musing about it. Reading is believing – and I guess this book’s defenders will claim the fact that a dog utters the next quote excuses it. Continue reading