Tag Archives: Science Fiction

THE DOSADI EXPERIMENT – Frank Herbert (1977)

The Dosadi ExperimentOkay, I urgently need to reread the entire Dune saga. In my mind Dune is the best series I’ve ever read, and the two final books (Heretics and Chapterhouse) are the best of the series – contrary to a popular opinion the series became bad after Children Of Dune. The thing is I’ve read those books at the onset of my adult rediscovery of speculative fiction, and my mileage wasn’t high at the time: maybe I was too easily awed?

Popular opinion also has it Frank Herbert didn’t write much else that’s good. Both Whipping Star and The Santaroga Barrier proved to be utter pulp indeed. Yet The Dosadi Experiment is supposed to be one of the few books still worth reading.

The Dosadi Experiment is set in the same universe as Whipping Star, but it’s a very different book: it doesn’t feel as absurd & cartoonish. It’s not really a sequel either, so you can read them independently. As usual, Val’s Random Comments does a great job summarizing the basic premise of the novel, so I won’t dwell on that too long: basically Dosadi is a planet with extreme living conditions on which some conspiracy secretly put inhabitants to see what such conditions would do to their society, in order to gain insight in politics and power systems.

That gets me to the million dollar question already: yay or nay? Continue reading

SIRIUS – Olaf Stapledon (1944)

SiriusI wrote a 10-page analysis of Last And First Men, Stapledon’s 1930 cult fiction debut. I wasn’t fully convinced by it, but I understood its historical relevance. I didn’t really plan to read another Stapledon title, but I came across Sirius in a second-hand store for 5 euros, and both the cover and the subject appealed to me, so I took my chances.

No 10-page review this time – I’ll try to make it snappy. Unlike Stapledon, who manages to make a mere 188-page novel drag and drag and drag. Not that he doesn’t set a bar for himself – the narrator of the book calls himself a “novelist” trying to “penetrate” into the “essential spirit”.

After all, though a Civil Servant (until the Air Force absorbed me) I am also a novelist; and I am convinced that with imagination and self-criticism one can often penetrate into the essential spirit of events even when the data are superficial.

That “essential spirit” is a bit of a recurring theme. Sirius, the dog with a human intelligence that is our protagonist, likes musing about it. Reading is believing – and I guess this book’s defenders will claim the fact that a dog utters the next quote excuses it. Continue reading

NON-STOP – Brian W. Aldiss (1958)

Non-StopNon-Stop is a short book by today’s standards: only 160 pages in a pocket edition. Yet it manages to cram quite a lot of content in its small space: a nice analogy for a book about a generational starship.

Some claim giving that away is spoiling it, but the knowledge is out in the open on page 21, and the book was published in the US as Starship.

Non-Stop/Starship is the debut novel of Brian Wilson Aldiss, and one that left me wanting to read more of his work.


The book is not entirely without problems. It’s partly 50ies pulp, especially in the character department. Today’s readers might complain about a lack of depth or character development. Yet to do so would be the result of superficial reading. Indeed, there’s only 160 pages, and Non-Stop generally focuses on plot, so drawing complex characters wasn’t Aldiss’s main intention. There’s simply not enough room for it. But that doesn’t mean there’s nothing there. Consider the very first two sentences – great, great lines by the way.

Like a radar echo bounding from a distant object and returning to its source, the sound of Roy Complain’s beating heart seemed to him to fill the clearing. He stood with one hand on the threshold of his compartment, listening to the rage hammering through his arteries.

It’s in passages like this, often almost hidden, Aldiss manages to say profound things about being human – namely, about humans being bodies. Spread throughout the novel there are similar observations – about love and feelings too. What more character depth do you want? Is “being a body” flawed enough for today’s crowd?

There are some other small problems too, but lets not dwell on those. Non-Stop is a very rich book – I made 4 pages of notes, a ton for such a short book – and this review wouldn’t do it justice if I start nitpicking. I won’t elaborate on all the book’s goodies either, but focus on two big -isms: postcolonialism & existentialism. Continue reading

NEW YORK 2140 – Kim Stanley Robinson (2017)

New York 2140It’s no denying I’m a KSR fanboy. It’s also no denying I avidly share the same concerns as so many: climate change, rising inequality, the grip of finance on global politics. So I really wanted to like this book. And I did – up unto the first 250 pages. The remaining 363, not so much.

As the cover and the title make clear, New York 2140 follows firmly in the line of Kim Stanley Robinson’s near future novels: there was Washington & climate change in the Science of the Capital trilogy, refurbished in 2015 as the mammoth Green Earth, and California & three different scenarios in his early series The Wild Shore (1984), The Gold Coast (1988) and Pacific Edge (1990).

This time the sea level has risen spectacularly and New York has turned into a New Venice. The book follows nine characters that all live in the same building: a market trader, a police inspector, an environmental activist/nude model internet star, the building’s manager, two orphan boys straight from Huckleberry Finn, a lawyer and two coders trying to rig the Wall Street system.

At first the book is simply great. Robinson uses a mature, daring voice. It is his most ironic mode yet, his most openly self-aware book. He even addresses the reader straight on about his tendency to infodump. In between chapters there’s snippets of quotes from various sources about New York and its history, often funny. They work wonderfully well in tandem with the main text. New York 2140‘s subject is quite heavy, but the writing often manages to be light and breezy. I laughed out loud several times. KSR uses language creatively, with stuff like “thinking they are great gestalters” or “I pikettied the U.S. tax code” and a newly coined adverb like “realworldistically” – all examples of a playful intellectualism. A joy to read.

The story starts with a disappearance that has the smell of a high tech heist movie. There’s also an old school treasure hunt going on, and there’s the general vibe of 22nd century New York with all kinds of new technology dealing with the new water level. It all contributes to a Big Sense of Anticipation, especially since the story has 613 pages, and I know what KSR is capable of: I was set for a long, boisterous feast. (More on the cake later.)

But after a while I slowly started to notice some problems, and those problems only got worse. After I read the book, I started reading some interviews (collected on the excellent, extensive fan site kimstanleyrobinson.info), and those interviews confirmed and explained my suspicions of what went wrong.

In the remaining part of this review, I’ll quote a few parts from various interviews, and use those to explain why this will be the first KSR book I’ll probably sell at the local second hand shop. But – and this needs the extra stress – that does not mean New York 2140 will be a bad read for you, dear reader: that also hinges for a big part upon what news and non-fiction you have consumed the last couple of years, as I’ll explain in my next paragraph.

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EUROPE AT MIDNIGHT – Dave Hutchinson (2015)

Europe At MidnightWhen I reread my review of Europe In Autumn, I realized I’d actually written a review for Europe At Midnight already. Nearly everything I mentioned there holds true for this second installment in the Fractured Europe Sequence: no filler, solid prose, interesting geopolitical setting, some references to spy novels, no pretension, entertaining, fresh, snappy, imaginative, gritty. As you might know, Midnight is not a sequel to Autumn, but more of a companion volume.

So, what’s the new?

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STAND ON ZANZIBAR – John Brunner (1968)

Stand On ZanzibarJudith Merrill called Stand On Zanzibar “the first true SF novel”, and in his introduction to the 2011 edition Bruce Sterling calls parts “radically antinovelistic” and the book in general a “unique formal achievement”. Let me assure you, dear reader, such hyperbole statements are bollocks. I’ve written about some SF-readers’ real literature frustration before, and I won’t repeat all that here. It seems that some people still need to be told that what they are reading is really True Art, and really worth Their Time.

Sterling goes on to compare John Brunner’s first non-pulp novel to George Perec’s 1978 La Vie mode d’emploi in an attempt to make Brunner’s book more formally visionary than it actually is: it predates the English translation of that ‘real’ literature masterpiece by 20 years. While doing so, he almost casually brushes aside the formal comparisons to Dos Passos’ U.S.A., a trilogy from the 1930s that uses the same narrative techniques. Sterling claims Dos Passos doesn’t really count, as he was an “naturalistic” writer, and Brunner “antinaturalistic”. Content is not form in my book, so “unique formal achievement”? Yeah right. And in Dutch Louis Paul Boon already wrote an even more radical cut up book right after WW2.

Maybe it was unique in the context of SF. Brunner might have been the first speculative writer to put all these techniques together in one book: I’m not widely enough read in pre 1968 SF to verify this. But its partial techniques were tried & tested, in speculative fiction too. I’m guessing books that alternate the big storylines with smaller storylines or vignettes can be easily found. The habit of inserting made up texts from the future period somebody is writing about is not unheard of either: just look at this list of fictional books Frank Herbert quoted from in the Dune series. Asimov did the same in the early 50ies. And Tolkien had fictional song and verse too.

All this is not to shit on Stand On Zanzibar, as Stand On Zanzibar is a masterpiece.

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LAKE OF THE LONG SUN – Gene Wolfe (1994)

lake-of-the-long-sun

If Nightside The Long Sun was about the protagonist’s self discovery, this second book in the series is about Patera Silk slowly discovering the true nature of his world.

The 4 volumes of The Book Of The Long Sun are set on a multigenerational starship – a fact that Tor reveals on the back cover, but one that is only revealed to the reader in this second book. It’s understandable that Tor did so, as The Long Sun is extremely hard to market: it’s an odd book: a lot more accessible than Wolfe’s magnum opus The Book Of The New Sun, but less lush, and a lot less compelling – at first sight maybe even boring. Tor might have increased its sales, spaceships sell, but the spoiler doesn’t do the reader any service: it takes away part of the joy of discovery, and it sets wrong expectations. Multigenerational starship yes, but no space opera or high tech scifi of whatever ilk. Continue reading