Tag Archives: Review

DESTINATION: VOID – Frank Herbert (1965)

destination voidDestination: Void was the last Herbert book on my list before I’ll eventually reread the Dune saga. I wanted to get to know Herbert better before I start such a reread, and at this point I feel I have a firm enough grip on his writing persona.

I’d read 4 non-Dune books up unto Destination: The Santaroga Barrier, Whipping Star, Soul Catcher and The Dosadi Experiment – of which Soul Catcher is the only one I would recommend, all the others having mild to severe problems. Destination: Void adds to that negative tally: it hasn’t survived its time. And yet, I do recommend it for some readers, but more on that later.

As these 5 titles are considered to be among his best non-Dune books, if not his best, I now can safely attest that Herbert’s enduring legacy indeed solely is Dune and its sequels. The word on the street was already pretty clear on that, obviously, but I wanted to check for myself. It’s also a safe bet that if Herbert hadn’t written Dune, hardly anybody would still care for his other novels, and the few die-hard Herbert fanboys highly praising his other output too probably would not exist.

My little nay verdict here shouldn’t be taken too harshly, especially not as Herbert did try, and did take risks – these 5 books are widely different, some pretty ambitious even. As bills needed to be paid, one can hardly hold it against Herbert he wrote a bit too much, too fast. Besides, having only one or two books stand out is true for a lot of authors – and especially in a genre with pulpy origins, one might say most of them.

So, what’s the deal with Destination: Void? Continue reading

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BLINDSIGHT – Watts (2006) & H IS FOR HAWK – Macdonald (2014)

BLINDSIGHT – Peter Watts (2006)

Blindsight

Blindsight is a contemporary classic of Hard SF. I’ve known about the book for years, but I was put off by the fact that it features a vampire – supposedly they did exist, as a kind of side branch of human evolution, and were resurrected using gene technology. I thought that to be very gimmicky. I also got the impression Watts likes to show off all the scientific papers he’s read, adding to an overall braggy vibe that didn’t appeal to me.

I did give The Freeze-Frame Revolution a shot though, a 2018 novella by Watts – review here. Turns out I liked that a lot, so I decided to take on Blindsight.

While it is not without problems, I enjoyed reading it a lot. Watts wrote a page turner about first contact. His ideas are often wild and especially the first two thirds of the novel are among the best the genre has to offer – if you don’t expect your reading to spoon feed you that is. Easy breezy reading it is not. Continue reading

‘DARK MATTER’ – ‘THE DOOR’ – BRUEGEL – BERCKMANS

After the jump: 5 new reviews, as announced in a new format.

First up is Dark Matter, the 2016 scifi bestseller by Blake Crouch. After that, I write a bit on The Door by Magda Szabó, which floored me. Really, get that. Two books about Pieter Bruegel follow. I’ve been reading up on him in preparation of a possible visit to the once in a lifetime Bruegel exhibition in Vienna. Catch that if you can, it runs until January 13, 2019, and it’s incredible how many of his surviving paintings they managed to get on loan. One of those Bruegel books, a biography, is in Dutch, as is the review. This post ends with another recent biography, in Dutch as well, on the Flemish writer J.M.H. Berckmans, who died 10 years ago.

Next time I hope to tackle Blindsight and H is For Hawk. Happy reading!

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4 SHORT REVIEWS

After I finished the fantastic Version Control, I read the excellent Keith Rowe biography by Brian Olewnick. I might still review that, but it’s a hard review to write for an audience unfamiliar with Rowe’s particular branch of experimental music.

Sadly, after those 2 great books, I’ve hit three I did not even finish. That and the relentless summer heat didn’t really urge me to start writing the reviews. Fortunately, that streak of bad reading luck came to an end, as I’ve also read a great, recent SF novella by Peter Watts, and finished yet another book on Rembrandt.

As the summer drought is still not over, I’ve decided I simply won’t bother trying to write longer, in-depth reviews for these books. I won’t even try to write up Hard To Be A God, the 1964 political allegory by the Strugatsky brothers, and the first book in that row of DNFs. I stopped after only 40 pages, not enough to write something meaningful, except that it was all too obviously allegorical for my tastes. Anyhow, without further ado, here’s those 4 mini-reviews…

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VERSION CONTROL – Dexter Palmer (2016)

Version Control

“History lives in the gap between information and the truth.”

Let me get this out of the way: Version Control – Dexter Palmer’s second novel – is BRILLIANT. Recurrent readers know that I don’t often slap on such high praise.

It might just be the best 2016 book I’ve read, and it might just be the best book I’ve read so far this year. It’s either this or Zero K for both questions – I’m having a hard time deciding. It doesn’t really matter anyway. Then again, maybe Version Control might have one thing speaking against it that Zero K has less of. More on that later, especially as this one thing doesn’t really matter right now.

The book didn’t get a lot of attention from the online sci-fi community, so maybe a few introductory remarks are at hand. Version Control is a near-future novel, set in about 10 to 15 years from now. Rebecca Wright is the main character. She works in customer support for an Internet dating site, the same site where she met her husband, Philip Steiner. Philip is a physicist working on a “causality violation device” – a kind of low-key time machine one could say. His work has stalled his career and the physics community doesn’t really take him serious anymore. The couple has lost their son a few years ago.

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THE SIRENS OF TITAN – Kurt Vonnegut (1959)

The Sirens Of Titan

I generally read up on book before I review them, and it doesn’t happen a lot I come across a good, thorough scholarly essay that’s available online. The fact that I did find one about The Sirens Of Titan attests to Kurt Vonnegut Jr.’s status as an author embraced by the literary establishment.

A big part of that is the fact that Vonnegut did not write clearcut science fiction, but something that seems more important to the uninitiated. His voice is critical, satirical, grotesque. The question of genre is exactly the subject of said essay. It’s written by Herbert G. Klein, and in doing so he tackles a lot of other aspects about this novel. It’s here.


The Sirens Of Titan is Vonnegut’s second novel. Slaughterhouse-Five, one of my all-time favorite books, was published 10 years later. The general consensus is that SH5 is Vonnegut’s masterpiece, so I did not expect Sirens to top it, just as I didn’t expect Cat’s Cradle to top it. To be clear: it didn’t. If I have to believe what I’ve read, it is only in Sirens that Vonnegut really found his voice, and it indeed reads as what I’ve come to expect from him: similar in themes & method. But, it does not feel as invested and personal as SH5. Just below all the satire of his most known book is a thick layer of emotion, and that’s lacking here. As a result, I didn’t feel as invested in the characters & the storyline.

Still, Vonnegut had had his share of bad luck by 1959, and one would imagine that to be an emotional reservoir for any writer. Power reader, music historian and jazz critic Ted Gioia points out how the biographical does seep into this book, in yet another excellent text on Sirens, to be found on Conceptual Fiction.

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RAVEN STRATAGEM – Yoon Ha Lee (2017)

Raven Stratagem

While I don’t really feel like it, I can’t but start this review with an opinion on a minor event in the blogosphere some time ago. If you have no interest in a discussion of ethics in SF, and just want my opinion on Raven Stratagem, scroll down to the actual review at the very end. The first part of the text might also be of interest to those who haven’t read any of Yoon Ha Lee’s books, as the discussion is much, much wider than that.

About a year ago, 3 people in the so-called Arthur C. Clarke Shadow Jury posted reviews about Ninefox Gambit, the first book of The Machineries Of Empire.

Contrary to popular opinion – 9FG won the Locus for Best First Novel – those reviews were essentially negative, on what are essentially moral grounds.

These three individuals are not marginal voices in SF fandom. Before most activity on her blog stopped – as she overdosed on commercially-hyped SF – Megan AM of From Couch To Moon was one the most respected and influential online reviewers of SF. Nina Allan is a speculative author herself: her most recent novel The Rift won the BSFA and the Red Tentacle. Jonathan McCalmont was shortlisted twice for the BSFA for best non-fiction writer, and writes for Strange Horizons and Interzone.

For starters, here are four quotes that capture the essence of the argument, with links to the original texts. Clicking the links is worth your while, as the original pieces are extremely well written, differ in their opinions on the book in crucial respects, and all have a number of valid, lucid insights. I have no intention to go into all arguments, and do not claim these quotes represent the texts in full. They do however show a convergence over at least one point of criticism, a point I do want to examine thoroughly.

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