Each and every contemporary review of Memoirs Of A Spacewoman I have found is overall positive, if not glowing. That’s understandable, as an obscure 60ies title by an author that is not generally known in the SF community takes a special kind of reader: the lover of “vintage scifi”. One does not coincidentally read this kind of book.
Recurring readers of this blog might have guessed I’m not a total, unconditional vintage SF fan. I read older SF for two reasons: to broaden my view on the history of the genre, and as a part of my search for SF that has endured the ages, and still does the job in 2018 as well. I’m a lenient reader as far as the first reason goes, but hard to please in the latter. Schizoid inner conflict being the result, it makes certain reviews harder to do.
This book can be considered partly as feminist writing, yet it was not marketed as such back in the days: publishers used to stress the sexual content, as Memoirs “explores with compassion and wit the infinite possibilities of erotic relationships between a human space-traveller and the bizarre incumbents of the planets she visits” according to my 1976 edition.