I have to confess David Hockney always remained a bit under my radar – when I was younger and wilder, I probably thought him too conventional or so, and more importantly, it seems as if the museums I’ve visited the last 20 years in the various cities around the world didn’t have many of his paintings on display. I really cannot recall seeing a Hockney in real life – although I must have, I’m sure. But when I learned of the Van Gogh & Hockney exhibition in the Van Gogh Museum in Amsterdam in 2019 it was as if I was struck by lightning. Hockney’s landscape paintings of the last 15 years are among the best landscapes I know in the history of painting.
I’ve tried to remedy my ignorance by reading about him, and I have to say, I’m very much looking forward to the double exhibition in Bozar, Brussels, later this year.
DAVID HOCKNEY. A CHRONOLOGY. – Hans Werner Holzwarth, David Hockney, Jean-Pierre Gonçalves de Lima & Lutz Eitel (2020)
This budget Taschen book – 20 euros, like the stellar Basquiat in the same 40th Anniversary Edition series – is a marvel. 511 pages, excellent reproductions and an authoritative, clear text by Lutz Eitel.
IT is a newly assembled edition from the SUMO size David Hockney: A Bigger Book and the chronology volume that accompanied that expensive limited edition mammoth. It is the only career spanning monograph in existence I know of. There’s 2007’s Hockney’s pictures by Thames & Hudson, but that is very, very low on text.
Effectively organized as a chronology, it starts at the end of the 50ies up onto 2016, and has about 1.5 page text for each year, followed by about 8 to 10 pages of art. Hockney’s full oeuvre is on display: paintings, water colors, drawings, photographic assemblages, stage designs, iPad drawings, etc. Continue reading
Weighing a pig doesn't fatten it. 