It strikes me as odd that people still are into this whole Literature vs. non-Literature distinction, especially people who review science fiction. Yet publishers like Tachyon make themselves complicit to this continuing confusion when they slap stuff like “magnificently blends literary and speculative elements … Readers of all persuasions will be entranced” on the back cover of their books.
It’s understandable Tachyon does so: it adds cultural credits and a veneer of Serious Art to Lavie Tidhar’s newest book. They hope it will help sell more copies of Central Station, also outside the speculative crowd. I think they are mistaken. More on that later.
First, a quick paragraph on my literary views. I don’t think a clear division between literature and non-literature can be upheld. What one can do is list criteria to judge how “good” a book is. People who have spent a couple of years at a university studying literature tend to like stuff like complexity, “depth” and originality. So yes, one could argue for a division between interesting books and superficial books. Whether a book is speculative or not isn’t a factor in that dichotomy. Of course, science fiction has a history in pulp magazines. True. But – newsflash: most books that people dub “literature” are bland and uninteresting too. Pulp is everywhere, not only in the speculative sphere. It’s Sturgeon’s law!
So, back to Central Station. Continue reading