Tag Archives: Frances Lynch

FAREWELL, EARTH’S BLISS – D.G. Compton (1966)

Farewell, Earth's Bliss (Compton, Lloyd)There’s a few slow projects in progress on this blog: rereading favorites I haven’t reviewed yet (Foundation, Anathem, Frankenstein and maybe some Banks are in the queue), working my way slowly through the KSR, Greg Egan and M. John Harrison I haven’t read, reading Frank Herbert’s lesser novels (a form of masochism), read more of my non-fiction TBR, digesting the oeuvre of Flemish writer J.M.H. Berckmans, and checking out some of the vintage scifi Joachim Boaz recommends on his site Science Fiction and Other Suspect Ruminations.

Some of Boaz’ recommendations have worked out really well for me: Non-Stop, Stand on Zanzibar, Beyond Apollo, Dying Inside, We Who Are About To…, An Infinite Summer, others less so: Ice, Memoirs of a Spacewoman, A Funeral for the Eyes of Fire.

The British author David Guy Compton’s second speculative title falls somewhere in between. I didn’t fully love it, but it is not to be discarded either. Farewell, Earth’s Bliss combines 2 tropes: colonizing Mars and the prisoners’ colony.

I’m sure the story of unwanted people that are sent to a distant island or so has been told lots of times in regular fiction too, but science fiction obviously offers a bit more possibilities than some version of Australia. In 1967 Robert Silverberg published Hawksbill Station – a novel I have yet to read, and he uses time travel as the method of exile. [update: I read it in January 2022, click on the title for the review.] In the 1980ies Julian May takes that same idea for The Many-Coloured Land and makes an entire series out of it – one I loved as a teenager.

Stories about communities in isolation being abundant, the question then is whether Compton uses his Mars setting effectively – to wit, distinctively. The short answer is yes, but the longer answer is a bit more nuanced, as Farewell, Earth’s Bliss is social science fiction, no hard sci-fi or space laser stuff.

That’s easily explained by the fact that Compton simply was not interested in science fiction as such, and has read none of his peers’ stuff, as he expressed in a fairly long 2019 interview with Darrell Schweitzer on Black Gate: Continue reading