I read Europe in Autumn in 2016, and Europe at Midnight in 2017. I enjoyed them both a lot – Autumn was even one of my favorite reads that year, back when I read a book each week. But for some reason Europe in Winter has been lying on my TBR for nearly 5 years. I really can’t tell you why: I simply was drawn more to other books each time I needed to pick a new read.
The appeal of a review like this is limited: the third book in a series that was much praised, but that seems to have been a bit forgotten as well – even though this third one won the BSFA. Hutchinson published a final book, Europe at Dawn in 2018, as well as a solid space opera novella in 2017, Acadie.
Either way, if you haven’t read the previous books, by all means, read them – that is, if John le Carré-infused near-future thrillers appeal to you. The good thing is that you can stop after every installment: Hutchinson wrote it one book at a time, so while you do have to have read the previous books to enjoy each new installment, you don’t have to read the next one as Dave never planned a 3 or 4 book series.
That said: I had forgotten all the details of the previous books, and it didn’t hinder my enjoyment of this one. That’s because Hutchinson’s main strength in these books is twofold: the world building and his knack for short stories.
Continue reading →
When I reread my review of Europe in Autumn, I realized I’d actually written a review for Europe at Midnight already. Nearly everything I mentioned there holds true for this second installment in the Fractured Europe Sequence: no filler, solid prose, interesting geopolitical setting, some references to spy novels, no pretension, entertaining, fresh, snappy, imaginative, gritty. As you might know, Midnight is not a sequel to Autumn, but more of a companion volume.
So, what’s the new?
Continue reading →
I didn’t make a lot of notes while reading Europe in Autumn, the first book of the Fractured Europe sequence. That’s a good sign, in this case. Dave Hutchinson doesn’t try to do anything else than write a good book: there’s no philosophical pretension, no glaringly obvious attempts at social commentary, no need to teach us readers some moral lesson. It’s just 317 pages of solid storytelling – there’s not a single secondary thing that throws this book off balance.
No message doesn’t mean this book is without politics. Set in a not so distant future Europe, political disintegration – Brexit, Grexit, Scottish nationalism – has continued, as have cutbacks in the public sector. The Global War On Terrorism rages on. Schengen is dead. What exactly constitutes a nation has become increasingly murky – yet clearer too: money & violence.
At first Europe in Autumn doesn’t seem like SF – it’s more of a spy thriller: Alan Furst was one of Hutchinson’s inspirations. A thriller that starts in Kraków, Eastern Europe, and as such has a vibe similar to a lot of Cold War stories. There’s codes, and dead drops, and fake identities, and a cut off head in a locker. We are introduced into this world via a fairly standard plot device: the training of a new spook, Rudi – the main character. As the story progresses, the plot thickens, and the speculative nature of the book increases. It is extremely well done, and Hutchinson catches his readers by surprise. To say more would spoil the fun. Continue reading →