Tag Archives: Fantasy

UPROOTED – Naomi Novik (2015)

Uprooted 2Uprooted caused quite a stir when it was published: it was nominated for 6 awards, and it won 4. I’m aware that awards have less and less to do with artistic quality and more and more with the industry of publishing, but still, I was intrigued, especially after I realized fairytales still have lots of potential: C.S.E. Cooney’s powerful short story collection was one of my best reads last year.

Novik apparently was inspired by Polish fairytales – her mother is Polish, her father Lithuanian – but I’m not sure to what extent. Fairytales are fairly universal – there were versions of Sleeping Beauty in ancient China too. The Wikipedia entry on Uprooted seems knowledgeable, and if it’s more or less complete, it seems the Slavic influence is surface level only: names and the sounds of names. That seems enough for a crowd that craves authenticity and deep roots.

Anyhow, Polish or not, the subject matter is straightforward and recognizable: nondescript village girl turns out to be hero extraordinary with the help of an elder mentor. The apprentice quickly outclasses the teacher, and together they take on the evil forces – an evil forest. Continue reading

A WIZARD OF EARTHSEA – Ursula Le Guin (1968)

A Wizard Of Earthsea 1st editionWhen I was 14 or so, I tried to read a Dutch translation of A Wizard Of Earthsea, but stopped a few chapters in. It didn’t click – maybe because it was a bad translation, or maybe because this might not be a children’s book at all. Or maybe it was because at 14 I was too old to appreciate it as a child, and too young to appreciate it for what it really is: a humbling, brilliant piece of writing.

Le Guin’s first book in what would eventually become a cycle of six – The Tombs Of Atuan (1971), The Farthest Shore (1972), Tehanu (1990), The Other Wind (2001), and Tales from Earthsea (2001) – appeared a year before her other landmark work: The Left Hand Of Darkness.

TLHOD is a favorite of mine, but I think this surpasses it – easily. Why?

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2016 FAVORITES

First up: I want to express my gratitude to everyone who has read, liked, linked or commented. Thank you. My best wishes for the new year!

I’ve read 54 titles in 2016, and reviewed 52. Below are the ones I enjoyed most, in no particular order. Click on the covers for the review. After the books, music.

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GARDENS OF THE MOON – Steven Erikson (1999)

gardens-of-the-moonI don’t have a lot of analysis to offer to readers already familiar with Gardens Of The Moon. It’s a massive book (703 pages + an 8 page glossary) and yet I only took 4 notes while reading. In this case, that means there was nothing to complain about structurally or idea-wise: so no plot holes, or bad writing, or philosophically unsound ideas. It also means Erikson didn’t surprise me with particular insights in the human condition.

That last one is not necessarily a negative: I don’t want to imply Erikson writes derivative, superficial stuff – he doesn’t – but I have the feeling I can only start making valid points on his ideological foundations after I’ve read a lot more of this series.

So what do I have to offer to readers familiar with this debut? Nothing but the information I liked it a lot – which may or may not say something about how our tastes align. I was a bit bogged down at the halfway point, but that probably was more because of other things keeping me from reading than because of the book itself.

I do want to convince fantasy readers unfamiliar with Erikson to start this widely acclaimed book, so I’ll devote the rest of this review to doing just that.

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THE DARKNESS THAT COMES BEFORE – R. Scott Bakker (2003)

the-darkness-that-comes-beforeA couple of weeks ago I read this review of the recently published The Great Ordeal on Speculiction. It instantly triggered me to read the first book of The Prince Of Nothing trilogy, as The Great Ordeal is the third book of The Aspect Emperor series – a sequel to that first trilogy.

My previous review highlighted Friedrich Nietzsche’s influence on Theodore Sturgeon and his More Than Human. Coincidentally, R. Scott Bakker begins his book with a quote of Nietzsche from Beyond Good And Evil.

I shall never tire of underlining a concise little fact that which these superstitious people are loath to admit – namely, that a thought comes when “it” wants, not when “I” want …

It’s not just some fancy quote to set the mood, as in Before They Are Hanged. It spells out the theme of the novel. Kellhus, the main character, was bred and raised by the Dûnyain, an ancient monastic order that makes it its goal to achieve control over one’s impulses and desires. The title of the book refers to the same theme:

The thoughts of all men arise from the darkness. If you are the movement of your soul, and the cause of that movement precedes you, then how could you ever call your thoughts your own? How could you be anything other than a slave to the darkness that comes before?

If you’re not philosophically inclined, don’t let that quote put you off – the book isn’t full of preachy stuff like this – on the contrary: it’s character-driven, and there’s plenty of action and awe.

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THE LADIES OF GRACE ADIEU – stories by Susanna Clarke (2006)

the-ladies-of-grace-adieuSusanna Clarke’s much lauded magnum opus Jonathan Strange & Mr. Norrell is one of my favorite speculative books. So I didn’t hesitate to order The Ladies Of Grace Adieu And Other Stories after reading an excellent review on the Calmgrove blog.

It features 8 stories, plus a fictional introduction by “Professor James Sutherland, Director of Sidhe Studies, University of Aberdeen”. That introduction is only 3 pages and set my expectations even higher, as Clarke’s familiar ‘English’ narrative voice shone through instantly, promising more of the treat Jonathan Strange & Mr. Norrell was. All the stories in this 235-page collection deal with Faerie in one way or the other, and were illustrated by WFA winning artist Charles Vess. A few are also explicitly linked with J.S. & Mr. N.

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THE GRACE OF KINGS – Ken Liu (2015)

the-grace-of-kingsThe Wall Of Storms, the sequel to this first book of The Dandelion Dynasty, will be published in a few weeks, early October 2016. I’d already ordered it, but after reading 200 pages of The Grace Of Kings, I cancelled my order. I also cancelled reading the rest of the 623 pages of Ken Liu’s full length debut. So, yes, this is my second DNF this year – the other’s here.

What a bummer. I looked forward to this book. I’m a huge fan of the short story collection Liu published earlier this year, and I liked his translation of The Three-Body Problem. It won the Locus First Novel, and there were a few positive reviews of bloggers whose opinion I respect.

Imagine my surprise with this book’s main problem: clunky, crummy prose, and dialogue that’s bloated & unrealistic – fantasy world or not.

“Young man,” she mumbled after the retreating figure of Kuni Garu, “you may act lazy and foolish, but I have seen your heart. A bright and tenacious flower will not bloom in obscurity.”

or

But the evidence seemed to some of the ministers and generals flimsy.

or

Also, his double pupils always made others look away.

There’s so many words in this book. Words words words. Also, if the editors would have taken a marker and highlighted all the redundant words and phrases, the book would have looked like a syllabus from an undergrad who can’t distinguish between what’s important and what’s not.

This book might be the best illustration I’ve come across of why an author should show and not tell – a critic’s cliché that I don’t like repeating in reviews myself, but really, this book forces my hand. Liu does lots of telling, let me tell you. But if I’m honest, the telling as such is not really the problem: it’s how it is being told, and that’s repetitive and slow paced. It’s boring telling, indeed. There are pages and pages of things explained that were already clear. Explained, repeated, and explained again. Because of all that, Liu’s tale failed to connect emotionally, and I hardly felt anything, as only saying something is “famous” or “skilled” doesn’t make it so. As a result, the action felt stale and lifeless. Strange, as Liu’s short fiction proves he can write compelling, even horrifying scenes, using poetic, precise prose. Yet his long form feels like amateur hour.


Saladin Ahmed, author of a pulp turd, calls this book “a much-needed breath of fresh air” for epic fantasy. Saga Press slapped it on the cover, but forgot The Grace Of Kings actually isn’t really fantasy. It’s a rehash of Chinese history. Ken Liu talked openly about this, and a quick glance at the Wikipedia page of the Chu-Han contention – the conflict 2 centuries BC that led to the birth of the Han dynasty – is revelatory. The two main characters, Kuni Garu and Mata Zyndu, are more or less Liu Bang and Xiang Yu. Here’s two Wiki quotes, that will be very familiar to people who’ve read the book…

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