What a fantastic book this is. Or rather 6 books. David Mitchell’s sixth novel is a tour de force. Mitchell is no small name: Cloud Atlas gathered widespread praise and attention – and also in The Bone Clocks he serves a grand narrative via 6 connected stories across 6 points in time – from 1984 to 2043, seasoned with a few shorter asides going back to earlier centuries. And similarly, The Bone Clocks is genre defying in a manner that’s pretty singular: the bulk of the book being straight forward literary fiction, but nonetheless with a backbone that’s firmly supernatural fantasy, and a final part that is straightforward, hard hitting dystopian near-future science fiction. This should appeal to nearly any type of reader, and I think it’s a masterpiece – not a term I whip out lightly.
I will return to the significance and impact of the final 6th in the second half of this review, and that part might be of interest for those of you who’ve read this book 3 or 4 years ago. It might be time to reconsider a few things. But first let me get a few other, more general remarks out of the way.
I haven’t read Cloud Atlas, or any of his other books, so I can’t comment on whether this title is better or not – and part of the answer to that question will be taste – but I can’t shake the feeling this is Mitchell’s magnus opus – for now. Written in a seemingly effortless and tasty prose, filled with real characters, genuine emotions, strong & urgent themes relevant to us all – this isn’t only escapist reading. Add to that a broad, kaleidoscopic feel, and an intricately constructed plot that’s obviously visible to a degree, yet so confident that you do not mind seeing the construction – as one does not mind seeing the brushstrokes when examining a Rembrandt or a Van Gogh up close, on the contrary even: seeing the actual brushstrokes and how they work in the composition is part of the joy.
The main ideas of this book were first formulated by Jaak Panksepp, the psychobiologist and neuroscientist who became a wee bit famous outside the field for his research about laughter in non-human animals, especially laughing rats. He died before it was finished, and this volume could be considered his crowning achievement. The Emotional Foundations of Personality: A Neurobiological and Evolutionary Approach is hard to review, as I’m not really the target audience.
The book is definitely not without merit, but for the general reader there are some problems. For starters, let me try to break those down.
Afterwards I’ll highlight what this reader found to be the interesting take-aways. That list should be of interest to those readers of this blog who don’t care for criticism of this book, but do care about their emotions and their brain
Posted in Reviews
Tagged 2010s, Jaak Panksepp, Kenneth L. Davis, Neurobiology, Neuroscience, Non-fiction, Psychology, Psychotherapy, Review, The Emotional Foundations Of Personality, The Emotional Foundations of Personality A Neurobiological And Evolutionary Approach
BLINDSIGHT – Peter Watts (2006)
Blindsight is a contemporary classic of Hard SF. I’ve known about the book for years, but I was put off by the fact that it features a vampire – supposedly they did exist, as a kind of side branch of human evolution, and were resurrected using gene technology. I thought that to be very gimmicky. I also got the impression Watts likes to show off all the scientific papers he’s read, adding to an overall braggy vibe that didn’t appeal to me.
I did give The Freeze-Frame Revolution a shot though, a 2018 novella by Watts – review here. Turns out I liked that a lot, so I decided to take on Blindsight.
While it is not without problems, I enjoyed reading it a lot. Watts wrote a page turner about first contact. His ideas are often wild and especially the first two thirds of the novel are among the best the genre has to offer – if you don’t expect your reading to spoon feed you that is. Easy breezy reading it is not. Continue reading
Posted in Reviews
Tagged 2000s, 2010s, Blindsight, Costa Book of the Year, Firefall, H is for Hawk, Helen Macdonald, Non-fiction, Peter Watts, Review, Samuel Johnson winner, Science Fiction, Terence H White
After I finished the fantastic Version Control, I read the excellent Keith Rowe biography by Brian Olewnick. I might still review that, but it’s a hard review to write for an audience unfamiliar with Rowe’s particular branch of experimental music.
Sadly, after those 2 great books, I’ve hit three I did not even finish. That and the relentless summer heat didn’t really urge me to start writing the reviews. Fortunately, that streak of bad reading luck came to an end, as I’ve also read a great, recent SF novella by Peter Watts, and finished yet another book on Rembrandt.
As the summer drought is still not over, I’ve decided I simply won’t bother trying to write longer, in-depth reviews for these books. I won’t even try to write up Hard To Be A God, the 1964 political allegory by the Strugatsky brothers, and the first book in that row of DNFs. I stopped after only 40 pages, not enough to write something meaningful, except that it was all too obviously allegorical for my tastes. Anyhow, without further ado, here’s those 4 mini-reviews…
Posted in Reviews
Tagged 1990s, 2000s, 2010s, Art, Art books, Caldé Of The Long Sun, Ernst van de Wetering, Gene Wolfe, Paolo Bacigalupi, Peter Watts, Rembrandt, Rembrandt: The Painter Thinking, Review, Science Fiction, short fiction, The Book of the Long Sun, The Freeze-Frame Revolution, The Windup Girl
“History lives in the gap between information and the truth.”
Let me get this out of the way: Version Control – Dexter Palmer’s second novel – is BRILLIANT. Recurrent readers know that I don’t often slap on such high praise.
It might just be the best 2016 book I’ve read, and it might just be the best book I’ve read so far this year. It’s either this or Zero K for both questions – I’m having a hard time deciding. It doesn’t really matter anyway. Then again, maybe Version Control might have one thing speaking against it that Zero K has less of. More on that later, especially as this one thing doesn’t really matter right now.
The book didn’t get a lot of attention from the online sci-fi community, so maybe a few introductory remarks are at hand. Version Control is a near-future novel, set in about 10 to 15 years from now. Rebecca Wright is the main character. She works in customer support for an Internet dating site, the same site where she met her husband, Philip Steiner. Philip is a physicist working on a “causality violation device” – a kind of low-key time machine one could say. His work has stalled his career and the physics community doesn’t really take him serious anymore. The couple has lost their son a few years ago.
While I don’t really feel like it, I can’t but start this review with an opinion on a minor event in the blogosphere some time ago. If you have no interest in a discussion of ethics in SF, and just want my opinion on Raven Stratagem, scroll down to the actual review at the very end. The first part of the text might also be of interest to those who haven’t read any of Yoon Ha Lee’s books, as the discussion is much, much wider than that.
About a year ago, 3 people in the so-called Arthur C. Clarke Shadow Jury posted reviews about Ninefox Gambit, the first book of The Machineries Of Empire.
Contrary to popular opinion – 9FG won the Locus for Best First Novel – those reviews were essentially negative, on what are essentially moral grounds.
These three individuals are not marginal voices in SF fandom. Before most activity on her blog stopped – as she overdosed on commercially-hyped SF – Megan AM of From Couch To Moon was one the most respected and influential online reviewers of SF. Nina Allan is a speculative author herself: her most recent novel The Rift won the BSFA and the Red Tentacle. Jonathan McCalmont was shortlisted twice for the BSFA for best non-fiction writer, and writes for Strange Horizons and Interzone.
For starters, here are four quotes that capture the essence of the argument, with links to the original texts. Clicking the links is worth your while, as the original pieces are extremely well written, differ in their opinions on the book in crucial respects, and all have a number of valid, lucid insights. I have no intention to go into all arguments, and do not claim these quotes represent the texts in full. They do however show a convergence over at least one point of criticism, a point I do want to examine thoroughly.
Posted in Reviews
Tagged 2010s, Arthur C. Clarke Shadow Jury, Ethics, Jonathan McCalmont, Megan AM, Nina Allan, Raven Stratagem, Review, Science Fiction, The Machineries Of Empire, Yoon Ha Lee
I bought David Lancy’s The Anthropology Of Childhood: Cherubs, Chattel, Changelings a few weeks after I learned I would become a father. It has been lying around for about two years, and as my daughter is starting to say the words ‘yes’ and ‘no’, now felt like the right time to start it. Verbally expressing preferences is a big deal on the road to personhood.
Lancy is a Emeritus Professor of Anthropology at Utah State University, who wrote and edited several books on childhood and culture, starting his own research in the 1970ies. This book feels like a summary of the entire field, and can be considered Lancy’s crowning achievement. He draws on his own research here and there, but the bulk of this book is based on Lancy’s reading of countless other sources, giving it a vast scope.
On the back cover, Barry Bogin of Loughborough University puts it like this: “the most comprehensive, and perhaps only, review of the human child in terms of evolutionary biology and sociocultural anthropology. Based on the best of theory and field ethnography, it is essential for any study of human development and human nature.”
I read the 2nd edition, which adds over 750 new sources to the first edition that appeared in 2008. 750 extra sources: that should be an indication of this book’s thoroughness. There’s 104 pages of bibliography, plus a 6-page author index, a 5-page topic index and a 7-page society index – all small print. The text itself is 410 pages long, riddled with quotes from other studies.